True Blood - S02E07: Release Me

True Blood's second season is really starting to get down to business. The plots developing over the course of the season are starting to reach a climax, or the beginning of a climax. I have absolutely loved this season as every episode seems to be better than the last. Many fans think this episode is the best so far. I'll admit, it was amazing, but all of this season's episodes have been fantastic. Usually the developing of plots will be quite dull, until the entertaining pay-off starts to happen, but this is not the case with True Blood. I believe this is do to the subversive and unpredictable nature of the show - something that HBO seems to do quite well. Jason's whole time at the camp was extremely entertaining, as was the Maryann story which could have been obvious and predictable, but turned out to be ambiguous and subversive since her first appearance.

Speaking of which, the chase scene with Sam was genuinely creepy. The gross looking arm at the end of the scene was great too. The production values of True Blood are exceptional. Michael Ruscio directed this episode and Raelle Tucker wrote it. This is Ruscio's television directorial debut and due to his experience as an editor on HBO shows, he excels. Again, the end-of-teaser shots and cliffhanger endings are always great. Sam's reaction shots at the end of the teaser in Never Let Me Go and the cliffhanger ending of Hard-Hearted Hannah were absolutely fucking gold! Not even in a bad way - they were just awesome.

Another highlight was Andy Bellefleur. Every time I think he could not become more ridiculous he surprises me. Chris Bauer's portrayal of Andy becomes more camp and over-the-top every episode - I love it! His screaming in pain this episode was hilarious. It reminds me of Larry David on Curb Your Enthusiasm. He now uses all the ridiculous noises and movements that were only used very occasionally in the earlier seasons, all of the time. If you watch the show, you should know exactly what I mean.

It will be interesting how they keep the tension for another 5 episodes. Normally, I would have guessed this would have been about episode 9 or 10 in the structure of a season. But you know, this is HBO, not Dexter, so I will may well end up surprised by the 'structure' of the season. Obviously Jason isn't dead, as the gun would have sounded like a gun instead of a pop if they were going to kill him off. Gabe was a strangely funny character who will probably die, and rightly so. It should be interesting to see how Godrick stirs things up, and what Eric does about his fascination with Sookie. Some of Bill's flashback scenes were a little meandering, but others gave us some important information, such as: A vampire is never stronger than their maker, when Bill's conscience got the better of him, and Lorena does have some scrap of humanity left in her. Is another one of Jason's girls going to end up dead? If Sarah goes back to Steve, she will most likely end up dead. Considering Godrick is free, this seems quite likely. It sure would be satisfying to see Steve get ripped apart! But on the other hand it would be disappointing to see such formidable villains with such power killed so soon.

True Blood - S02E01: Nothing But the Blood

True Blood is back, as good as ever, and I never doubted it. Alan Ball knows exactly what this show is, an adult nighttime soap-opera, with a good budget, and no restrictions. If only all nighttime soaps could be on pay-cable and creatively led by master filmmakers.

The Lafayette in a purgatory of sorts was very mind bending, reminding me of Lost. For some reason I couldn't work out who he was until he was talking some more - anyone else have this? The reveal ending of the episode was very satisfying, and I can't wait to find out what eventuates. I'm really glad Ball decided not to follow the book, and have Lafayette killed off in the car. He really wants to surprise us!

Another sex scene between Bill and Sookie... To be honest I didn't think Anna Paquin would be comfortable doing it - as some of the time it can be a career killer for an actress with success, especially doing it on a television show. But it is encouraging to see she isn't influenced by that. More relationship angst between Bill and Sookie, while Bill deals with the newly vamped teenager Jessica. Just a couple of lightly comedic scenes, the next episode promises to explore it some more.

Andy is getting dumber, drunker, and also funnier. I wonder how long he has left in Bon Temps?

We got a few Fellowship of the Sun scenes this week, and I'm sure they will increase as the season progresses. Bashing conservatives and religious extremists is fun for everyone! What do people think of Nan Flanagan from the American Vampire League? I think she is awesome. All she does is block all of the ridiculously ignorant comments made to vampires - very entertaining.

Maryann continues to become more interesting with her link to Sam, when he was a teenager. What has now been established is that she doesn't age. We should find out what she is soon enough. I love the gimpy servant too. It was extremely soap-operatic and hilarious of Maryann to hit him and state "Nobody needed towels!". It seems apparent that she wants Eggs and Tara to get together. Definitely a highlight.

I absolutely cannot wait for the next episode. It is titled 'Keep This Party Going', which I think is a fantastic episode title, if in fact it serves as a meta comment on the show or episode, like the first 'Nothing but the Blood' did. Good times!

True Blood - S01E12: You'll Be The Death Of Me

Alan Ball's decision to use a teaser or cold open on True Blood was a very wise one. They are not required to use them on HBO as there are no ad breaks but True Blood uses this marketing tool which has developed into an artistic decision (and a fine art) to its full potential, as did The Wire. The other show that employs it famously is Buffy - both vampire shows, however, Alan Ball has admitted that he has not seen Buffy, or read much vampire fiction, for that matter. Anyway, the last shot of the teaser is Sookie assuring Jason that she is close to finding out who the killer is. Off this, the camera focuses off Sookie and Jason and on Renee. This is a very neat directional technique that often doesn't work for me but was used perfectly by Ball. Thinking about it, Ball's direction was so well thought out and executed in this episode and was definetely the best of the season. The worst may have been the last episode, directed by Nancy Oliver - she makes up for it with fantastic writing in just about everything she has done, and I hope she will continue it when she becomes showrunner for Bad Girls next year on HBO.

Anna Paquin's acting seemed considerably better this episode, not that it was bad to begin with, but there were some iffy moments - perhaps this can be credited to actors director Alan Ball. I know it sounds like I jerk off over him seven times daily, but he really deserves all credit given. Poor Sookie, she has been through so much this season, and has done a pretty good job of being the most unlikeable character. I hope we can like her a bit more next season - she really seems to be backseat to Jason and Tara sometimes, which still worked out great - no problems there.

One of the most intriguing things about the last two episodes has been Maryanne. Intriguing because we don't know what the fuck she is or what the fuck is going on... Why does she do that shaking thing? What is she? Why does she walk the nighttime lonely road accompanied by a pig? What does she want with Tara? How does she know Sam? What does she want with Sam?

I really hope Lafayette isn't dead, but it looks like that will be the case. I really thought something was being set-up for him with that politician guy - but it was ended quickly, and probably only employed to give us another suspect to pointlessly wrap our brains around until next year.

I wasn't too fond of the idea of Rene being the killer, but I liked the result - even if his motives were kind of weak and we didn't see much of his true character to help us acknowledge his motive. This show was just what the magical land of television needed, and I am looking forward to the second season, hopefully followed by plenty more.

And to wrap up I should like to add, Bill = Freddy Krueger, and Alexander Skarsgård is a tank.

True Blood - S01E05: Sparks Fly Out

Bill appears before the town, and reminisces on his past and an early Bon Temps. Sookie goes on a date with Sam. Jason tries some more V. And Lafayette smacks down some white-trash.

For anybody who doesn't know, True Blood has already been picked up for a second season - this is very good news. Alan Ball has said hypothetically the series could last 8+ seasons, if they followed the book series.

This episode features some really great flashbacks that do not look tacky and have a genuine feel, unlike many other shows that flashback to the 1880's. They tell some really great back story of Bill: How he became a vampire, what happened to his family, and some of what happened in the battle at Bon Temps.

At the very end of the teaser of 'Sparks Fly Out', we see that dog staring at Bill with some dramatic music in the background. We have been beaten over the head with this over the duration of the series, and I think they are trying to tell us that Sam is a werewolf - or a cute dog, which might be cool in a Beethoven kind of way, but not in a rabid killing machine way - so we will go with werewolf. This episodes cliffhanger could be put down to this theory, which would be absolutely disturbing.

Jason continues on his sexcapades and may even be pinned for another murder in light of this episode. He takes V for the second time, but this time takes the recommended dosage so we get to see it in all it's glory. He hallucinates that sparks are flying out of the flowers of a bush, and that Tara is some sort of goddess at a waterfall.

Great episode! As usual I can't wait until the next.

True Blood - S01E01: Strange Love

HBO tries to pull it's next big hit with True Blood - they've been trying to get a ratings winner since The Sopranos ended last year. There has been a multimillion dollar marketing campaign for the series - but did it all pay off?

I have no problem with HBO picking up True Blood, but trying to make it their new signature show is definitely pushing it - were none of them at Alan Ball's pitch meeting to them - or do they assume that because Alan Ball is producing it, then it must be fairly similar Six Feet Under. It was stated by Alan Ball himself that this series was a more than slight departure from his previous work - that's not to say that it is stupid television - he labelled it popcorn TV for smart people. But it doesn't have the immediate large-scale appeal that shows such as The Sopranos, Six Feet Under, and Sex In The City had. It seems much more suited or limited to have a small cult following, and HBO have never been big on them - with the exception of The Wire.

This series was adapted by Alan Ball from the vampire novels authored by Charlaine Harris. Ball wrote and directed the pilot episode - along with taking the helm of the show for the foreseeable future. True Blood is centered around Sookie Stackhouse who is played by Academy Award winner Anna Paquin, a barmaid living in Louisiana who can read people's minds. When Vampire Bill (Stephen Moyer) shows up at the bar she is entranced by him; due to not being able to read his thoughts. Vampires have been 'out of the coffin' for a couple of years due to a synthetic blood drink that was developed to fulfill all of their nutritional needs - so they can live normally in society - I'm sure a lot of them don't take to assimilation too well. Vampires that are prominent in society and the media claim that they just want to be understood, and have the same rights that any human has. This show will probably use Vampires as a metaphor for other minority groups: homosexuals, African-American's, even Aboriginals; if they decide to delve into the complexities of assimilation. Sookie is joined by her over-sexed brother Jason, played by Ryan Kwanten (Vinnie from Home and Away), and her 'Gran' that they live with. At the bar there is Sam Merlotte, the owner of Merlotte Bar, where Sookie works. He is 'secretly' in love with Sookie, but how could you keep anything a secret from somebody who hears others thoughts. There is also Sookie's loud-mouthed best friend Tara (Rutina Wesley - who replaced Brook Kerr from the pre-air pilot) who has a thing for Jason.

It is very hard to judge how this series will turn out, but, so far I like it; the acting has been good, and the direction solid. I can't say too much on the writing because everything is still very vague - is that a comment in itself? With Alan Ball in charge I will definitely stick around for the season. Those expecting Six Feet Under will be disappointed, but that isn't to say that it will have any less depth - as Buffy did in it's time: there was so much depth hidden under and around all that genre-busting and camp. HBO must have seen something in this... there was a full season order, that has already been shot.